I finished it!
Salman Rushdie was sentenced to death after the publication of his book, The Satanic Verses. His novel follows the lives of two actors, Gibreel Farishta and Saladin Chamcha, starting with their fall from a hijacked airplane over England. Not only do they survive their fall, they transform into a living incarnation of an angel (Gibreel) and devil (Saladin), to the point where they take on the physical characteristics of each: a halo for Gibreel and a goat-like body for Saladin.
After losing their divine/fallen characteristics, they attempt to regain their normal lives; however, they are obsessively drawn toward each other - both for purposes of revenge. For Saladin, he wishes to destroy Gibreel's life the way his was ruined. When Saladin returned to his home in his goat form (after being brutally beaten and humiliated by the police), he discovers his wife in bed with his friend. He left his home and stayed at a bed & breakfast above the Shaandaar Cafe. His presence causes a disturbance in the dreams of the people living nearby, forcing him out of the B&B and into a club called Hot Wax, where he has a hissy fit in the basement and regains his human form. At this point he's determined to destroy Gibreel.
Gibreel, the Golden Boy who fills Saladin's days with misery, has problems of his own. He finds himself haunted by an ex-mistress, who flung herself (and her children) off of her apartment complex after Gibreel ended it to fly to England to find Alleluia Cone. And after wandering throughout London in a daze, he miraculously ends up on Alleluia's doorstep, much to his relief. After a huge fight, Gibreel storms out in a jealous rage and is convinced that he is the archangel Gibreel (granted, talking to the Man Upstairs helped sway his opinion) sent to convert the world. He tries for a while, but ends up back with Alleluia and his agent, Sisodia. He has visions (one involving a girl by the name of Ayesha who tells the people of her village to go on a pilgrimage to the ocean; another involves the prophet Mahound) which Sisodia figures can be used as screenplays to boost Gibreel's return to the movie world.
At this point their paths cross again at a party: Gibreel, heavily medicated, describes his perfect life to Saladin but reveals his jealous streak when Gibreel beats Saladin's friend (who is sleeping with Saladin's wife) over the head with an oar! In a bid to ruin his perfect relationship, Saladin plants the seeds of doubt in Gibreel's mind, causing Gibreel to destroy Alleluia's apartment, and their relationship. Gibreel ends the night treking through town, again influenced by the notion of being an avenging angel and leaving a path of fire and destruction behind him. Finding his enemy, Saladin, at the Shaandaar Cafe, he realizes the truth and yet somehow manages to forgive Saladin, to the point of carrying him out of the burning building.
Finding forgiveness from a man he was determined to ruin, Saladin decides that it is time to go see his father, who is now on his deathbed. Caring for his father has given him a new view on life, so when Gibreel comes to him the night of his father's funeral and points a gun at him, Saladin is scared. Gibreel then turns the gun on himself and ends his nightmares. Saladin, who has re-adopted his real name Saladduhin Chamchawalla and has reconnected with a fling-turned-love feels pity towards the man who seemed so perfect, but was haunted to the point of killing his lover and taking his own life.
Wow - was this book ever difficult to wade through. Salman has a poetic way of writing that is very beautiful to read, but has caused this book to be at least 4 times longer than it would've been if he spoke more plainly. The story has a tendency to jump around from one man's view point to another and then it will jump back in time to explain the story up until that point. It also goes into detail about the visions that Gibreel has and which I'm not entirely sure if they were dreams or something more. I don't understand certain aspects of the story, like whether it was a coincidence that certain names from Saladin's life were repeated in Gibreel's dreams; if Saladin's wife and lover were set up to take the blame for a terrorist group or if they were in the wrong place at the wrong time.
I imagine this is a book where several reads are necessary to understand the whole story - as long as you have a dictionary, a science dictionary and several religious texts nearby so you can put the stories in to context.
I enjoyed this book very much: I love the way he writes and I like the way he challenges you to think while reading. As you go through the book there are several "ah-hah!" moments where you feel like you're finally starting to understand the storyline. And then he promptly switches directions, leaving you scrambling to catch up again. I was a little surprised when Gibreel and Saladin have their confrontation in the burning building only to have them forgive eachother. There was so much buildup at that point and I was really excited to see how it would end. By the time the end did come, it was anticlimatic and out of the blue. And the revelation of Alleluia's death was a shock. I had read the Wiki-version of the story, so I knew that it ended in tragedy but it definitely didn't happen the way I expected!
In short, don't read it if you expect an easy read, but I thought it was worth the trouble.
Showing posts with label demons. Show all posts
Showing posts with label demons. Show all posts
Tuesday, June 29, 2010
Wednesday, June 9, 2010
In The Works: The Satanic Verses
The next book to be read for the Banned Book Club is called The Satanic Verses by Salman Rushdie. I'm about half way through and am, so far, enjoying the book.
The story can be confusing at times, especially at the beginning. It also jumps around a little in the timeline, so by the time you've figured out what's going on, it's switched again. However, despite that, I am enjoying it.
It starts out with the main characters falling out of the plane and it leaves them there to go on to their respective childhoods and formative years. It also explains about how they ended up on the plane in the first place, and about the terrorists who end up denotating a bomb onboard. It then jumps to a desert town where water is evil and considered the destroyer; in this town there is a Messanger by the name of Mahound who has been consulting with an angel, Gibreel. The story then takes us back to where the two main characters have landed, unharmed, upon a beach in England and meet an elderly woman. Gibreel stays with her and Saladin is arrested. At this point, Gibreel has a halo and Saladin has grown horns and hooves. Both eventually make their way back to their respective homes in London proper.
Like I said, a little confusing. However, because the story jumps around so much, I find myself compelled to keep reading on, to know how they got to that point. How did Gibreel end up being an angel in the middle of nowhere when he's currently living in London? And whatever happened to Saladin? See, now I'll have to keep reading to find out!
The story can be confusing at times, especially at the beginning. It also jumps around a little in the timeline, so by the time you've figured out what's going on, it's switched again. However, despite that, I am enjoying it.
It starts out with the main characters falling out of the plane and it leaves them there to go on to their respective childhoods and formative years. It also explains about how they ended up on the plane in the first place, and about the terrorists who end up denotating a bomb onboard. It then jumps to a desert town where water is evil and considered the destroyer; in this town there is a Messanger by the name of Mahound who has been consulting with an angel, Gibreel. The story then takes us back to where the two main characters have landed, unharmed, upon a beach in England and meet an elderly woman. Gibreel stays with her and Saladin is arrested. At this point, Gibreel has a halo and Saladin has grown horns and hooves. Both eventually make their way back to their respective homes in London proper.
Like I said, a little confusing. However, because the story jumps around so much, I find myself compelled to keep reading on, to know how they got to that point. How did Gibreel end up being an angel in the middle of nowhere when he's currently living in London? And whatever happened to Saladin? See, now I'll have to keep reading to find out!
Sunday, April 4, 2010
The Reckoning
A couple notes first: I totally veered off reading "Fahrenheit 451" for a couple reasons. One, I was informed that the third (and final) book in a series I was reading was in, so of course this post is actually about that. Two, it's very "1984", in that its an older, dystopia-style book that takes a while to wrap my brain around. Three, I may be able to get back into it now that I've started reading "Twilight". I'm really not digging that book so much.
Now onto my real post.
The Reckoning, as I said earlier, is the third and final book in a young adult series by Kelley Armstrong. First, a quick recap, since I didn't review these books. This series features Chloe Saunders, a teenage girl who can see ghosts. Unfortunately, she became brutally aware of this fact after she was traumatized at school by the ghost of a formal janitor. After being sent to the psych ward, it was suggested that she go to a special school where she could be treated for schizophrenia. While there she meets other teenagers being treated for various mental disorders. One of the guys suggests that she isn't schizophrenia...she's a necromancer.
After that, things get interesting. The teenagers break out, get caught, escape, and finally meet up a contact that can help them. And that's where book three comes in.
This review is a little harder to do since it is in the middle of the story and it'll be a little harder to explain without going back to everything and I can't avoid spoiling at least a little of the story for those who haven't read it yet.
Chloe, Derek, Simon & Tori are being housed in a safe house from the Edison group with a friend of Kit's (Derek & Simon's father), by the name of Andrew. However, despite knowing that they're genetically modified supernaturals, Andrew & his fellow rebels can't help but be afraid of the powers that the teens are displaying. A freak encounter between Chloe, Derek & a couple of werewolves turns out to have been a staged event by someone claiming to help them. And that someone doesn't care if they end up dead.
A betrayal at the safe house causes the teenagers to end up back at the Edison group hospital, where Chloe learns her aunt is still alive, but held captive. Chloe frees a demi-demon to save herself and Kit finally makes an appearance.
This review probably makes no sense, and probably sounds super anti-climatic. Which, in fact, it was. I liked the story overall, especially how it ended between Derek & Chloe, but it really felt unfinished. The story ended with them being on the run. A story can't end like that since there's always the chance of them getting caught - either by the bad guys or by the good guys.
This story had a lot of the same threads as her other series, The Women of the Otherworld: werewolves, witches, sorcerors & necromancers. I kept expecting to read about Paige or Elena showing up as a mentor. Especially with the book feeling unfinished, maybe they'll cross paths in a future book.
With Chloe being a necromancer, this book was pretty spooky & gory at times. She really grew stronger and more self-confident through the series and it's really apparent when she meets up with her aunt again. In fact, Chloe mourns her own loss of innocence for her aunt's sake.
Overall? I think if you like The Women of the Otherworld series, you'd like this. It's very cute & innocent when it comes to teenage love. It's about self-sufficiency and the bonds of friendship to overcome obstacles.
I also need to get better at writing endings for my reviews. :)
Now onto my real post.
The Reckoning, as I said earlier, is the third and final book in a young adult series by Kelley Armstrong. First, a quick recap, since I didn't review these books. This series features Chloe Saunders, a teenage girl who can see ghosts. Unfortunately, she became brutally aware of this fact after she was traumatized at school by the ghost of a formal janitor. After being sent to the psych ward, it was suggested that she go to a special school where she could be treated for schizophrenia. While there she meets other teenagers being treated for various mental disorders. One of the guys suggests that she isn't schizophrenia...she's a necromancer.
After that, things get interesting. The teenagers break out, get caught, escape, and finally meet up a contact that can help them. And that's where book three comes in.
This review is a little harder to do since it is in the middle of the story and it'll be a little harder to explain without going back to everything and I can't avoid spoiling at least a little of the story for those who haven't read it yet.
Chloe, Derek, Simon & Tori are being housed in a safe house from the Edison group with a friend of Kit's (Derek & Simon's father), by the name of Andrew. However, despite knowing that they're genetically modified supernaturals, Andrew & his fellow rebels can't help but be afraid of the powers that the teens are displaying. A freak encounter between Chloe, Derek & a couple of werewolves turns out to have been a staged event by someone claiming to help them. And that someone doesn't care if they end up dead.
A betrayal at the safe house causes the teenagers to end up back at the Edison group hospital, where Chloe learns her aunt is still alive, but held captive. Chloe frees a demi-demon to save herself and Kit finally makes an appearance.
This review probably makes no sense, and probably sounds super anti-climatic. Which, in fact, it was. I liked the story overall, especially how it ended between Derek & Chloe, but it really felt unfinished. The story ended with them being on the run. A story can't end like that since there's always the chance of them getting caught - either by the bad guys or by the good guys.
This story had a lot of the same threads as her other series, The Women of the Otherworld: werewolves, witches, sorcerors & necromancers. I kept expecting to read about Paige or Elena showing up as a mentor. Especially with the book feeling unfinished, maybe they'll cross paths in a future book.
With Chloe being a necromancer, this book was pretty spooky & gory at times. She really grew stronger and more self-confident through the series and it's really apparent when she meets up with her aunt again. In fact, Chloe mourns her own loss of innocence for her aunt's sake.
Overall? I think if you like The Women of the Otherworld series, you'd like this. It's very cute & innocent when it comes to teenage love. It's about self-sufficiency and the bonds of friendship to overcome obstacles.
I also need to get better at writing endings for my reviews. :)
Sunday, March 21, 2010
The Sweet Far Thing
"Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim grey sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last, defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die."
-From The Rose of Battle by W.B. Yeats
The third book in the Gemma Doyle series, The Sweet Far Thing (Libba Bray), is a voyage of self-discovery as Gemma and her friends approach their debut; a rite of passage for English ladies from children into womanhood.
Gemma tries to unravel the mystery of Wilhemina Wyatt, a former Spence girl who has been appearing to her in visions with the note "The Tree of All Souls lives". To learn more about the Tree of All Souls, Gemma speaks with Circe, an enemy trapped within the well of eternity who was put there by Gemma in the previous book. However, while the door of light will not appear to Gemma, they discover another entrance in the rubble of the East Wing which has started to be rebuilt.
Unfortunately, the line between sanity & madness starts to blur after Gemma and her friends venture into the Winterlands: after which Gemma starts to see creatures from the realms in the human world. Men from the work camp start to go missing and trouble breaks out between the workers & the gypsies when symbols in blood are written on the new stones.
Can Gemma figure everything out before the magic drives her mad?
This book was definitely the longest and had the most information in it. Due to that fact, it took longer for me to read, making it difficult for me to even remember my favourite quotes (which, you'd think by now, I'd start marking with post-its). The first book delved into choices & their consequences; the second talked about secrets. This book covered both topics as well as self-discovery. It covered love & love lost; getting what you want from life instead of using "magic" to make it happen; courage & strength; and most importantly, loss. It was very fitting that the author ended this book with the debut of Gemma and Felicity into society, as this event marked a girl's entrance into womanhood.
This book also spends more times in the realms than the last one. A battle is brewing as the magic is leaking into the Winterlands from the Tree of All Souls. This is definitely the darkest book as the characters are forced to face their deepest fears and desires to gain what they want most. The story turns spooky when Gemma starts to see things that no one else can and has what others think of as fits of madness. And when Pippa starts to talk about herself as being the Chosen One.
The ending is sad & a little heartrending, but I don't think it was possible to end any other way. I'm sure I'll kick myself for not mentioning this-or-that later, but like I said, this book was the largest and has definitely been my favourite. I'm happy to say that the final books lived up to the expectations of the first and that the story progressed without cheating the readers or making light of the situations at hand. It also ended on a hopeful note: about a girl choosing her own destiny in an era where that was unheard of.
Sunday, March 14, 2010
Rebel Angels
The title of the book Rebel Angels (by Libba Bray) was inspired by John Milton's Paradise Lost, a poem about the angel Lucifer trying to overthrow heaven.
In this second book of the Gemma Doyle Trilogy, the girls are back and dreaming about Christmas; all except for Ann who, due to a lack of family, will be staying behind at Spence. Felicity comes up with the genius idea of reinventing Ann as the long-lost niece of some Duke who can trace their ancestry back to Russian royalty so she can enjoy the wonders of the London elite as well.
There is a mysterious new teacher at Spence, Miss McCleethy, who seems to have an immediate dislike for Gemma. Her very presence also causes Gemma to slip into horrifying visions of three girls in white dresses, who are obviously ghosts. Gemma, Felicity and Ann discover that they can still enter the realms and that Pippa is there! However, Kartik warns Gemma that by smashing the runes she loosed the magic in the realms for anyone to use; therefore she must find the Temple and bind the magic to the Eastern Star, which, unbeknownst to Gemma, would allow the Rakshana to control the magic. Kartik is also told that once she has done this, he is to kill her.
Upon their return to London, Gemma meets a young man, Simon Middleton, who is the son of a Viscount and who takes an immediate liking to her. Ann is met with smashing success and treated kindly. Felicity discovers that her father is home again and that her young distant cousin, Polly, has been orphaned and will be staying at her house.
However, Gemma's visions turn more horrifying as they also show Pippa as a creature of the realms. The ghosts plague her even more and she discovers Nell Hawkins, a member of the Order, in Bedlam. After meeting her, Gemma learns that Nell has deliberately driven herself mad to prevent Circe from discovering where the Temple is. Miss McCleethy is also in London and following her leads the girls to a bookstore where she purchases a book on secret societies. Reading the book they discover that many member of the Order use anagrams of their names when in hiding. They also learn that Claire McCleethy spells out: They Call Me Circe.
Each trip into the realm shows the garden growing more wild and dangerous as they discover that other creatures also live in the realms: the water nymphs who lure you into the water for your skin; the gorgon head that has been spelled onto a boat who may not cause harm or lie to a member of the Order but who also lies by omission; the horrible skeleton warriors; and even ghosts who have yet to pass that have been tempted into staying and are heading into the Winterlands.
However, the mad ramblings of Nell offer light as to where the Temple may be found:
In this second book of the Gemma Doyle Trilogy, the girls are back and dreaming about Christmas; all except for Ann who, due to a lack of family, will be staying behind at Spence. Felicity comes up with the genius idea of reinventing Ann as the long-lost niece of some Duke who can trace their ancestry back to Russian royalty so she can enjoy the wonders of the London elite as well.
There is a mysterious new teacher at Spence, Miss McCleethy, who seems to have an immediate dislike for Gemma. Her very presence also causes Gemma to slip into horrifying visions of three girls in white dresses, who are obviously ghosts. Gemma, Felicity and Ann discover that they can still enter the realms and that Pippa is there! However, Kartik warns Gemma that by smashing the runes she loosed the magic in the realms for anyone to use; therefore she must find the Temple and bind the magic to the Eastern Star, which, unbeknownst to Gemma, would allow the Rakshana to control the magic. Kartik is also told that once she has done this, he is to kill her.
Upon their return to London, Gemma meets a young man, Simon Middleton, who is the son of a Viscount and who takes an immediate liking to her. Ann is met with smashing success and treated kindly. Felicity discovers that her father is home again and that her young distant cousin, Polly, has been orphaned and will be staying at her house.
However, Gemma's visions turn more horrifying as they also show Pippa as a creature of the realms. The ghosts plague her even more and she discovers Nell Hawkins, a member of the Order, in Bedlam. After meeting her, Gemma learns that Nell has deliberately driven herself mad to prevent Circe from discovering where the Temple is. Miss McCleethy is also in London and following her leads the girls to a bookstore where she purchases a book on secret societies. Reading the book they discover that many member of the Order use anagrams of their names when in hiding. They also learn that Claire McCleethy spells out: They Call Me Circe.
Each trip into the realm shows the garden growing more wild and dangerous as they discover that other creatures also live in the realms: the water nymphs who lure you into the water for your skin; the gorgon head that has been spelled onto a boat who may not cause harm or lie to a member of the Order but who also lies by omission; the horrible skeleton warriors; and even ghosts who have yet to pass that have been tempted into staying and are heading into the Winterlands.
However, the mad ramblings of Nell offer light as to where the Temple may be found:
Like I said after reading A Great and Terrible Beauty, I was terrified to read this story for fear that my expectations would be set so high that this book couldn't possibly live up to them."Where shall we go, maidens? Where shall we go? You must leave the garden. Leave it behind with a sad farewell. Down the river on the gorgon's grace, past the clutches of the slippery, nippery nymphs. Through the golden mist of magic. Meet the folk of the fair Forest of Lights. The arrows, the arrows, you must use wisely and well. But save one. Save one for me. For I shall have need of it. ...
"Offer hope to the Untouchables, for they must have hope. Travel on, far beyond the lotus blossoms. Follow the path. Yes, stick to the path, maidens. For they can lead you stray, away, with false promises. Beware the Poppy Warriors. The Poppy Warriors steal your strength. they will gobble you up. Gobble, gobble! ...
"Do not leave the path, for it is hard to find again once lost. And they will take song to the rock. Do not let the song die. You must be careful with beauty. Beauty must pass. There are dark shadows of spirits. Just beyond the Borderlands, where the lone tree stands and the sky turns to blood...in the Winterlands they plot and plan with Circe. They will not rest till the army is raised and the realms are theirs to rule."Go where no one will, where it is forbidden, offer hope....go where the dark hides a mirror of water. Face your fear and bind the magic fast to you!" (pgs 360-361)
In essence, I was right.
However, this book did not try to do what the last one did. I believe that the last book was of choices and living with the consequences of them. In this book, the underlying theme was secrets and lies: Gemma's family is falling apart because her father is addicted to laudanum; however, they are not to speak of it. Ann's experiences in London is because of a huge secret. Felicity's behaviour toward Polly and her parents is due to yet more secrets. Kartik has a secret mission from the Rakshana that was divulged in the beginning of the book.
This book explored more of the realms and the horrible burden of trying to live a lie; to pretend that a girl is what she seems to be: a girl but one who doesn't have a terrible secret that could ruin them in society's eyes. You learn that there is more to each person than what you'd expect. Like Felicity and the secret to why she is the way she is. Gemma's dysfunctional family and irritation brother, Tom, are more of a focal point and how they rally together to hide their father's laudanum addiction. Even beautiful Pippa, the independent Miss Moore, priggish Miss McCleethy and mad Nell are not what you expect.
This book was fantastic and I'm happy to say that I'm looking forward to the third and final book in this trilogy: The Sweet Far Thing, which, I'm sure, will be as well written and enjoyable as the first two. However, I am curious to discover the underlying theme in that book as well.
Thursday, March 11, 2010
A Great and Terrible Beauty
' "Shall I tell you a story? A new and terrible one? A ghost story? ... Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one...one was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls."
"One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? ... Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were - damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy. ... They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be. ... There, now. Isn't that the scariest story you've ever heard?" ' (pgs 314-316).
The above quote came from A Great and Terrible Beauty by Libba Bray, a book about a Victorian era girl who is sent to a finishing school in London after her mother dies tragically. Gemma Doyle, the heroine, is a 16 year old outcast who sees terrible things happen in visions - and then it comes true. Her roommate, Ann, is a scholarship student (read: poor) who wants nothing more than to be seen - and to be beautiful. Her unlikely ally, Felicity, is the school leader and bully until Gemma saves her from expulsion by shoving her in a lake - thus allowing her gypsy admirer to escape unnoticed. And Pippa, beautiful Pippa, wishes only for true love - which her parents can't allow to happen in case her seizures become public notice (and thus expose her genetic defect which would prevent any future offers of marriage).
However, they live in a time when "a man wants a woman who will make life easy for him. She should be attractive, well groomed, knowledgeable in music, painting, and running a house, but above all, she should keep his name above scandal and never call attention to herself" (pg 27). This stifling attitude prevents the four girls (or, really, any at all) from doing what they wish. As evidenced by one of the characters, "Well, it's not as if we can do what we want, is it?" (pg 163), when Felicity comments on how Pippa doesn't wish to marry the first man that comes along with a sizeable fortune.
In a drunken pity-fest, the girls re-create The Order after reading the diary of Mary Dowd, which describes a magical garden of power. They take a blood oath and "swear loyalty to each other, to keep secret the rites of [their] Order, to taste freedom and let no one betray [them]. No one. ... This is [their] sanctuary. And as long as [they're] here, [they] will speak only truth" (pg 153).
And so begins their true journey into self-discovery. Their characters deepen as you learn more about them: Pippa is being used by her parents simply to alleviate her father's gambling debts; Ann self-mutilates so she knows that she can still feel; and Felicity has been abandoned by her parents and for power in a powerless situation. It is at this point that the ghost story is told. The girls are at their lowest points and feel absolute failure coming upon them.
Weaving itself into the story is the poem, The Lady of Shallott by Alfred, Lord Tennyson. In the poem the Lady of Shallott is cursed to view the world outside her window through a mirror. One day she decides that she is "half sick of shadows" and looks out the window. When her mirror cracks, she leaves her tower, climbs into a boat and floats down to Camelot, where she dies.
Setting the pace for the rest of the book, the school teacher Miss Moore finally reaches the heart of the story when she talks about the poem and that "the lady dies not because she leaves the tower for the outside world, but because she lets herself float through the world, pulled by the current after a dream" (pg 102).
In essence, I believe that this book is about the characters striving to live life to the fullest and to attempt to break the bonds of society's demands to do what they want to do: which is to make their own choices.
I was captivated by this book right from the start and despite owning the rest of the books in this trilogy, I'm terrified that the rest of the books won't be as good. Having peaked my interest for what is going on in this book and the lives of these girls, I'm worried that the author will have opted for an easy way out. Or that in the end, they fail miserably.
Gemma and her friends, despite living in an age long past, still face issues that are relevant for today: peer pressure, the urge to fit in, sexual curiosity, the need to please and the desire to be free. While Gemma may not know her own mind, she does refuse to give in to society's pressures and I do believe that she does a good job as a strong female lead character. Even Pippa, who takes the easy road out in the end, still makes a choice that she believes is right for her.
Need I say more? I love this story and I think everyone should read it. It reminds me of the magical sisterhood found in the movie The Craft as well as a subdued version of the sexually charged friendship found in Summer Sisters by Judy Blume.
"One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? ... Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were - damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy. ... They were misled. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be. ... There, now. Isn't that the scariest story you've ever heard?" ' (pgs 314-316).
The above quote came from A Great and Terrible Beauty by Libba Bray, a book about a Victorian era girl who is sent to a finishing school in London after her mother dies tragically. Gemma Doyle, the heroine, is a 16 year old outcast who sees terrible things happen in visions - and then it comes true. Her roommate, Ann, is a scholarship student (read: poor) who wants nothing more than to be seen - and to be beautiful. Her unlikely ally, Felicity, is the school leader and bully until Gemma saves her from expulsion by shoving her in a lake - thus allowing her gypsy admirer to escape unnoticed. And Pippa, beautiful Pippa, wishes only for true love - which her parents can't allow to happen in case her seizures become public notice (and thus expose her genetic defect which would prevent any future offers of marriage).
However, they live in a time when "a man wants a woman who will make life easy for him. She should be attractive, well groomed, knowledgeable in music, painting, and running a house, but above all, she should keep his name above scandal and never call attention to herself" (pg 27). This stifling attitude prevents the four girls (or, really, any at all) from doing what they wish. As evidenced by one of the characters, "Well, it's not as if we can do what we want, is it?" (pg 163), when Felicity comments on how Pippa doesn't wish to marry the first man that comes along with a sizeable fortune.
In a drunken pity-fest, the girls re-create The Order after reading the diary of Mary Dowd, which describes a magical garden of power. They take a blood oath and "swear loyalty to each other, to keep secret the rites of [their] Order, to taste freedom and let no one betray [them]. No one. ... This is [their] sanctuary. And as long as [they're] here, [they] will speak only truth" (pg 153).
And so begins their true journey into self-discovery. Their characters deepen as you learn more about them: Pippa is being used by her parents simply to alleviate her father's gambling debts; Ann self-mutilates so she knows that she can still feel; and Felicity has been abandoned by her parents and for power in a powerless situation. It is at this point that the ghost story is told. The girls are at their lowest points and feel absolute failure coming upon them.
Weaving itself into the story is the poem, The Lady of Shallott by Alfred, Lord Tennyson. In the poem the Lady of Shallott is cursed to view the world outside her window through a mirror. One day she decides that she is "half sick of shadows" and looks out the window. When her mirror cracks, she leaves her tower, climbs into a boat and floats down to Camelot, where she dies.
Setting the pace for the rest of the book, the school teacher Miss Moore finally reaches the heart of the story when she talks about the poem and that "the lady dies not because she leaves the tower for the outside world, but because she lets herself float through the world, pulled by the current after a dream" (pg 102).
In essence, I believe that this book is about the characters striving to live life to the fullest and to attempt to break the bonds of society's demands to do what they want to do: which is to make their own choices.
I was captivated by this book right from the start and despite owning the rest of the books in this trilogy, I'm terrified that the rest of the books won't be as good. Having peaked my interest for what is going on in this book and the lives of these girls, I'm worried that the author will have opted for an easy way out. Or that in the end, they fail miserably.
Gemma and her friends, despite living in an age long past, still face issues that are relevant for today: peer pressure, the urge to fit in, sexual curiosity, the need to please and the desire to be free. While Gemma may not know her own mind, she does refuse to give in to society's pressures and I do believe that she does a good job as a strong female lead character. Even Pippa, who takes the easy road out in the end, still makes a choice that she believes is right for her.
Need I say more? I love this story and I think everyone should read it. It reminds me of the magical sisterhood found in the movie The Craft as well as a subdued version of the sexually charged friendship found in Summer Sisters by Judy Blume.
Monday, March 1, 2010
My Soul To Save
My Soul To Save is the second book in Rachel Vincent's Soul Screamers series.
Our heroine is Kaylee Cavanaugh, a 16 year old who discovered in the last book that she's bean-sidhe - or in English, banshee. One of the side effects of being bean-sidhe is that Kaylee has an uncontrollable tendency to scream hysterically when someone nearby is about to die. Her boyfriend Nash is bean-sidhe as well, and his voice can calm her down, not to mention Influence others.
At a concert Kaylee & Nash watch as the star, Eden, drops dead; however, Kaylee doesn't scream. As a Soul Screamer, Kaylee realizes that Eden has no soul to sing for because it has been bartered away to a hellion in exchange for fame and fortune. When they learn that the opening act, Addison Page, is next, they go on a wild hunt to retrieve her soul before her time is up.
I like this series for a variety of reasons. The biggest one is the bean-sidhe concept. I'm always sold on an idea that has a different take. The second reason is that the main character is an outcast. At high school she is labelled a freak by her popular cousin and her cheerleading clique.
Though Kaylee has a big heart and an apparently steel spine that may get her killed one day, I find that strength a little hard to swallow. Risking her life for someone she doesn't know? It is explained away as making up for those she couldn't save in the previous book, but her altruistic abilities, while commendable, aren't very realistic.
The sexual tension is this book can get pretty thick at times between Kaylee and Nash. While they both want it, it is really only poor timing and a little insecurity that keep them from going all the way (read: Nash is/was a man whore and Kaylee is worried about him losing interest if they do the deed). Granted, it is toned down some from the previous book.
I've had discussions with Vyxen about teen sexuality in the past and we have differing ideas.
Mine: I prefer it to be practically nonexistent; if I want to read about sex, I'll read an adult romance. I think it's cute when they act shy around eachother and when holding their crush's hand is a huge accomplishment. I am also not a teenager.
Hers: it is a huge issue nowadays and should be discussed; they do want it, so why not present it in an elightened way to show teens that they have options when it comes to dealing with sex.
She has a good point and while I personally am not a big fan of teen sex, I'm also not the target audience since I haven't been a teenager for nearly 10 years. (Though neither has Vyxen.)
It will definitely happen for those characters, but I hope it's done in a tasteful and smart (ie, birth control & condoms) manner. I think Kaylee also needs to learn to let up a little on her self-doubt before that ever happens. Otherwise I predict bitter fights.
Another reason I like the book is because the main character doesn't know a thing about being bean-sidhe so she's learning from her boyfriend's mom. The bonus being that the reader learns about it at the same time without it seeming dumbed down for the readers.
I also like the main character is this series way more than the main character in Rachel Vincent's other series, Shifters. She even gets grounded for being out late (saving lives), so at least she doesn't have a free ticket just because she's supernatural.
Note: Vyxen left me this message about what she has to say about teen sex:
"I have to say that I don't advocate it. I, in fact, adore Meyer for having her characters abstain until marriage. I think you have to be hugely responsible as a YA author, these days, and present information. I also think that this information should be presented to a strong female protagonist (actually, though. Not some half wit we see as strong initially, only to find out that she is "nothing without her man." [Cough]BellaSwan[/Cough]) who, wisely, says no to her suitor and isn't judged a prude because of it. I want "no" to be an okay option is all. (But I don't want an author to candy coat life, either. I'm all for kids being kids, but this is a big deal.)
YAs won't read novels that present a fluffy world. It's insulting to their intelligence and generally pisses them off. I figure don't hide the real world and recognize that, for the most part, they're smart enough to make their own decisions, we just have to equip them with whatever knowledge we can."
I stand corrected. :)
Our heroine is Kaylee Cavanaugh, a 16 year old who discovered in the last book that she's bean-sidhe - or in English, banshee. One of the side effects of being bean-sidhe is that Kaylee has an uncontrollable tendency to scream hysterically when someone nearby is about to die. Her boyfriend Nash is bean-sidhe as well, and his voice can calm her down, not to mention Influence others.
At a concert Kaylee & Nash watch as the star, Eden, drops dead; however, Kaylee doesn't scream. As a Soul Screamer, Kaylee realizes that Eden has no soul to sing for because it has been bartered away to a hellion in exchange for fame and fortune. When they learn that the opening act, Addison Page, is next, they go on a wild hunt to retrieve her soul before her time is up.
I like this series for a variety of reasons. The biggest one is the bean-sidhe concept. I'm always sold on an idea that has a different take. The second reason is that the main character is an outcast. At high school she is labelled a freak by her popular cousin and her cheerleading clique.
Though Kaylee has a big heart and an apparently steel spine that may get her killed one day, I find that strength a little hard to swallow. Risking her life for someone she doesn't know? It is explained away as making up for those she couldn't save in the previous book, but her altruistic abilities, while commendable, aren't very realistic.
The sexual tension is this book can get pretty thick at times between Kaylee and Nash. While they both want it, it is really only poor timing and a little insecurity that keep them from going all the way (read: Nash is/was a man whore and Kaylee is worried about him losing interest if they do the deed). Granted, it is toned down some from the previous book.
I've had discussions with Vyxen about teen sexuality in the past and we have differing ideas.
Mine: I prefer it to be practically nonexistent; if I want to read about sex, I'll read an adult romance. I think it's cute when they act shy around eachother and when holding their crush's hand is a huge accomplishment. I am also not a teenager.
Hers: it is a huge issue nowadays and should be discussed; they do want it, so why not present it in an elightened way to show teens that they have options when it comes to dealing with sex.
She has a good point and while I personally am not a big fan of teen sex, I'm also not the target audience since I haven't been a teenager for nearly 10 years. (Though neither has Vyxen.)
It will definitely happen for those characters, but I hope it's done in a tasteful and smart (ie, birth control & condoms) manner. I think Kaylee also needs to learn to let up a little on her self-doubt before that ever happens. Otherwise I predict bitter fights.
Another reason I like the book is because the main character doesn't know a thing about being bean-sidhe so she's learning from her boyfriend's mom. The bonus being that the reader learns about it at the same time without it seeming dumbed down for the readers.
I also like the main character is this series way more than the main character in Rachel Vincent's other series, Shifters. She even gets grounded for being out late (saving lives), so at least she doesn't have a free ticket just because she's supernatural.
Note: Vyxen left me this message about what she has to say about teen sex:
"I have to say that I don't advocate it. I, in fact, adore Meyer for having her characters abstain until marriage. I think you have to be hugely responsible as a YA author, these days, and present information. I also think that this information should be presented to a strong female protagonist (actually, though. Not some half wit we see as strong initially, only to find out that she is "nothing without her man." [Cough]BellaSwan[/Cough]) who, wisely, says no to her suitor and isn't judged a prude because of it. I want "no" to be an okay option is all. (But I don't want an author to candy coat life, either. I'm all for kids being kids, but this is a big deal.)
YAs won't read novels that present a fluffy world. It's insulting to their intelligence and generally pisses them off. I figure don't hide the real world and recognize that, for the most part, they're smart enough to make their own decisions, we just have to equip them with whatever knowledge we can."
I stand corrected. :)
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